The proposed site for the cultural center sits atop a mountainside overlooking the rich agricultural valley and the UNESCO World Heritage-protected Buddha Cliffs of Bamiyan. From the main access road, located roughly 10 meters above the building’s main entrance, the center emerges as four identical brick volumes scattered across the rough, rocky landscape of the mountaintop.

Upon descending along the main ramp into the cultural center’s forecourt, the full extent of the building is made visible– a large single story concrete and brick structure that is punctuated by four towers (two open-air and two enclosed) and three courtyards of varying proportions, each allowing for daylight and natural ventilation to permeate deep within the interior of the plan. Its triangular shape results from a large internal entry courtyard to the south of the building and an elongated western facade, slanted toward the site’s unique panoramic view overlooking the Bamiyan valley. The public performance hall and exhibition space share this view and open onto a large secure garden along the western face.

The private program — classrooms, workshops, library, and offices — are single-loaded along a hallway aligned with three interior gardens, which act both as areas of reprieve and social spaces for students, workers, visitors, and scholars alike.

credits

architects: Timothy Ryan Brennan, Phi Van Phan  |  team: Tim Brennan, Phi Van Phan  |  status: Competition (2015)  |  competition: Bamiyan Cultural Center  |  visualizer: Studio  |  scale: medium  |  types: cultural, cultural center  |  views: 1.918

same competition (+12)

GSMM Architetti, Gabriele Boretti | Studio Memento | Studio MADe | DJarquitectura | Timothy Ryan Brennan, Phi Van Phan | Guillaume Durand | Pedro Miguel Santos | Matthias Steen | João Araújo Sousa & Joana Correia Silva | Kontent | Atelier b2p architecture | Fala | NAS Architecture, NBJ architectes